
Phone pictures hardly do the experience justice.
I have to apologize to my boyfriends and band crushes, because you are all suddenly and irrevocably paler in comparison. Finn Andrews and the rest of The Veils have skipped town with my heart and I may not ever recover. Their show Wednesday July 15th at Spaceland was an experience I’ll not soon forget and I’m doubtful that another band will be able to match it any time soon.
The venue is cozy and I am thankful for that because being 10 feet away from a band is priceless and frankly the only way to see a show. Giddy, I was bouncing between the standard issue LA Hipsters, too cool to express their excitement…or maybe they just didn’t know what I did. This show was going to be epic and so what if I look like an ass.
I don’t want to pick the show apart song by song, but rather express what we all want to know about a live band. The presence is really there and the music needs no studio to survive.
Though presumably touring to promote the new album, the band seemed to care more about what songs they could do justice to in a crowded room and they opened with Not Yet, from “Nux Vomica” and set the tone for the rest of the night: Deliberate.
The intensity was there, no sloppy lyric pushing or intent-less mumble, confirming my suspicions that such a poet would undoubtedly perform so passionately. Hypnotic. I was never happier to be sober and staring down the barrel of a gun. This show would surely obliterate my ability to feel this kind of frightened anticipation again. Frightened because sooner, rather than later, it would be over. (**With no desire to imitate, I chuckled when I read the same word used in the LA Times review after writing this, and since we agree, why not emphasize the point rather than re-word it).
The moments between songs always deliver jems, and one of my favorites was Finn’s anecdote for Sit Down By The Fire. He said that everyone always remarks on how warm and catchy the chorus is, sitting down by a fire…how cozy. His intent however was not to elicit warm fuzzies but rather to invite us to sit in proximity of the heat of our burning, decaying future and watch it go up in flames. He was appropriately amused, and it was charming. As the show progressed the entire, and impressively passionate band was drenched, as were we in gifts. Bows on guitars, a drummer that I haven’t found a good enough word for yet, Sophia Burn’s presence and Finn, playing every song, almost as if it were his last. Raging. Haunting. I loved these songs before, but they have become new again, as if being poured through a thin psychotropic filter.
Towards the end of the show, Finn addressed the audience expressing his difficulty (ironic for such a Wordsmith) in expressing his sincere gratitude for being able to come and play for us. I was immediately reminded of the night I witnessed Jazz Bass legend Abraham Laborial Sr. play for a packed club. Abraham and Finn both throw themselves into their instruments sacrificially as if to serve the greater purpose of passionate expression. Abraham spoke to us in a similar tone, took some time and explained to the audience what it means for a musician to have the opportunity to play their music to an eager crowd. He said that when people feel listened to, they feel loved and for musicians, having an audience listen and express their joy is akin to the joy of feeling truly loved and it becomes a reciprocal experience of giving and receiving love. I can’t do Abraham’s words, nor the moment justice, but Finn, I’m wondering if maybe that’s what you were trying to express?
On behalf of your audience, I can at least confirm that we felt it.


Say what you will about Facebook but like it or hate it, it does have purpose in this world and it is here to stay. Why do I bring up the Social Networking Titan? Simple; I have figured out what great good it has done for my life and I now feel the need to justify all those hours that I spend playing Mafia Wars and sending virtual flowers to my friends.


Apparently I never got the memo about this sad platform for misguided hope. Craig’s List Missed Connections is a place where people waiting all their lives for their Sleepless In Seattle moment attempt to reach out, via a post to the mystery person of their dreams. The one that got away, James Blunt’s beautiful girl on the train.
Catching a friend’s notice on Pandora, this “little” band from London pumping from the speakers was directing my head-bob and feet so I thought, “Hell, why not. I’ll check my eMusic account”. Sure enough, they had two albums out and one on the way any day so I scooped up the first two in anticipation of their latest release, and I’m now hooked…forever.
Off of their first album The Runaway Found, the heartbreaking ballad Lavinia ruined my ability to listen to the rest of the album for days, as I couldn’t stop listening to that track on repeat. Finally, I gave the rest of the album a fighting chance and was pleasantly surprised by the diversity of sounds on the first album. It feels as though the band is still trying to figure out who they are, but just happen to be good enough for a label right out of the gate. Andrews being the son of the Barry Andrews, who worked with likes of David Bowie and Brian Eno, some might speculate that it helped get the band’s foot in the door, but needless to say the talent is there and one would think that Finn deserves the credit independently. The Runaway Found is all over the map, but it works, and it’s diversity becomes a signature for the band. A young band fronted by a young man, both experiencing a teen-hood of discovery and drama with the inkling of an old soul finding it’s place in the world. A tremendous Wordsmith, Andrews sculpts stories with apparent ease.
Nux Vomica, their sophomore album made a much clearer statement about the identity of the band and comes racing out of the gate on the first track. Nux Vomica finds the band and Andrews more mature in sound and constitution, vocally, lyrically and instrumentally. There seems to be a signature nod amongst all the albums to pop sensibilities and almost a tongue in cheek homage to 60’s style pop, yet the direction of Nux Vomica has a sense of aged, bitter confidence that has it’s own sound but reminds us of everything from The Pogues, Johnny Cash, and Rufus Wainwright. Gracing some key critics top 10 lists for 2006…many of my fellow Indy nerds and I had still not heard of this band?! WTF?!
Having spread the wealth and passed out copies to all the people that I knew would love them as I do, we waited, and the third album Sun Gangs was delivered with great anticipation and did not disappoint. A sadness, fear, and insecurity permeate lyrically as the Veils continue to push the limits of genre. Reminding me at times of tracks from The Cold War Kids’ Loyalty To Loyalty, The Arcade Fire and Coldplay I still never get the sense that I’m listening to a band that doesn’t easily define it’s self outside of the other bands of the genre.
I thought The Prodigy had fallen into obscurity, but lucky for my work-out they are back and still kickin’. Taking a page from a whole host of other bands including Depeche Mode who hunted down the old equipment they used on their first few albums and ACDJ’s album 80’s Electronic which was comprised mostly of video game samples, ancient electronic bleeps and throwback late 80’s early 90’s tunes; the beats in this album could be considered an homage to the beginnings of digital music peppering, each track with a nugget of old school electronic beats. The title makes it sound more like a video game than an album.
I will preface all of this by stating that you might have to be a basket case to appreciate how beautiful this album is. I’m not sure, because I was a mess when I downloaded it and it knocked me off my feet it was so good. Good in this case is defined by the amount of times it allows the heartbroken to identify through gobs of tissues not only with the words but with the haunting instrumentals. If you do love and appreciate the Female Singer Songwriter genre and appreciate Tori Amos, Sia, Shelby Lynne and Sarah McLachlan, etc. then you should be able to appreciate this album at any time.
The album however, does not end there. Uncharacteristically, Yamagata tries her hand at a sound she has not yet recorded. She excels at the sounds of misery, but angst with a potentially pop-y beat? I didn’t expect this. The angst continues through this segment and though at first listen it may appear as though she’s trying to tack an EP of new sounds at the end of this album, upon further listening, it confirms and continues the initial path of the album.
In response to some of my friends from College and High School getting nostalgic in the last year and posting old photos on Facebook for us all to giggle at, I recently visited my parents, dug out my old albums and put some up myself. Okay, so I was lucky enough to be cute in High School though I don’t consider my tenure there to be by any means my glory days. Suffice to say the memories are not traumatizing, nor are the pictures. I understand very well that anyone worth talking to suffers from their own version of Ugly Duckling Syndrome, but I have come across a surprising amount of people on Facebook who were not too pleased with having goofy old photo’s of themselves posted for the stalkerific world of Facebook to see.


I love Southwest Airlines. I’m gonna get on my proverbial mountain top and say it again! I love Southwest Airlines!!!! I am not a professional flyer necessarily but I have flown round-trip an average of 2 and a half times a year for the last 8-10 years so by now I certainly know my way around an airplane and airport security. Since flying has changed so much from the days when your sweetheart could play tonsil hockey with you all the way to the gate there’s been a significant increase in the amount of stress that the average flyer must endure.
Don’t like horror movies? How about a hero’s tale? Ask me about the Southwest Pilot that refused to take off until I could fly on his plane and get to bed after spending a night in the St. Louis airport due to tornados. He had a half full plane and just wanted to get me home, airline bureaucracy be damned. He and all the flight attendants stood their ground and I got home…to soaking wet luggage…damn it! Their flight attendants are always happy, because they know they have a great job. They work for a smart company that bought fuel at a surplus when they knew it would be advantageous and give us the cheapest flights possible, and will do so as long as they can…because this economy needs it. Other airlines are taking away amenities right and left to try and survive the crunch but Southwest still gives us blankets, pillows and snack-packs. Need more than that? Fine, go get it, and stop taking up space on my economically responsible airplane.







